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Vera writes about street art, public murals, and the slow conversation cities have with themselves through the work that appears on their walls. She has spent two decades documenting urban art across cities in three continents and writes essays that move between specific works and the broader cultural questions they raise.
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The question of who owns the wall — the property owner, the city, the artists who paint on it, the community that…
For every street artist whose work entered the cultural conversation, several others worked at comparable levels and slipped from view. An essay…
Wheatpaste is the most-ephemeral of street art forms. The work tears, weathers, and disappears, often within weeks. An essay on what the…
Mexico City has one of the deepest mural traditions of any city in the world — a continuous lineage from the post-revolutionary…
Banksy did not invent stencil art. The tradition that produced him was already four decades deep when he began working. An essay…
Walls are among the most-old of public surfaces. The contemporary street art tradition continues a conversation that's been happening on them for…